I have my friend Bibi to thank for the books in this year’s blogathon. She works in a library, and over a year ago, she sent me a huge package of film books her library had planned to discard. Some of them pertained to modern cinema but most were about Old Hollywood and were written in the 50s, 60s and 70s...
...such as this first one. The Real Tinsel is an oral history of the early days of Hollywood, with terrific photographs, compiled by Bernard Rosenberg & Harry Silverstein in 1970. Many of the industry types they spoke to dated their film careers back to the 1910s and 20s—so you can imagine how valuable are the stories they tell.
Some interviewees should be recognizable to the average cinephile with a working knowledge of Hollywood history: Adolph Zukor, Dore Schary, Edward Everett Horton, Fritz Lang, Max Steiner. Others are less so, but equally important: producer Walter Wanger, actresses Mae Marsh and Blanche Sweet, stuntman Gil Perkins, cameraman Hal Mohr, writer Anita Loos.
They’re all given free reign to discuss not only their careers, but their lives, many of which began in the 19th century. Some common denominators include: working-class jobs in their youth, roots in the theater, wartime reminiscences, witnessing the evolution of the medium and learning how it works, the shift from New York to Hollywood, salaries, labor disputes, the coming of sound to motion pictures, industry anecdotes, etc.
|A photo from Tinsel: Mae Marsh|
In The Cinderella Man
That said, I wonder how accessible this book was to the cinephiles of the late 60s/early 70s. Today I can (and often did) go to IMDB and look up completely unfamiliar names like Joe Rock, Dagmar Godowsky, or Billy Bletcher. Rosenberg & Silverstein don’t really provide much in the way of context as to who these people are or the people and places they describe.
|In Tinsel, Rod LaRocque talks|
about his marriage to
Still, Tinsel is a valuable treasure trove of Hollywood stories in the words of the people who helped build the industry.